Digital Humanities partnership with University of British Columbia, Okanagan

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Members of Exeter’s Digital Humanities Lab recently visited the University of British Columbia, Okanagan to to continue our very fruitful collaboration with the AMP Lab and the Faculty of Creative and Cultural Studies (FCCS). Following an initial visit with Prof. James Clark the previous year, Dr. Charlotte Tupman and 2nd-year UG student intern Connor Spence, who is one of our outgoing Digital Humanities interns, were very kindly hosted for the week by Prof. Karis Shearer, Director of the AMP Lab, and Dr. Emily Murphy, Assistant Professor of Digital Humanities, along with their student intern Stephen French.

Connor Spence presenting Exeter’s DH Internship scheme to FCCS colleagues

One of the aims of our visit was to further our work on two training modules – one on audio digitisation and one on text encoding – which will be offered to Exeter and UBC-O students as online, self-paced modules. During the course of the week, we tested and edited our training modules, sharing them with members of UBC-O’s Department of World Literatures and Department of English and Cultural Studies and gaining valuable feedback during the process. Continue reading →

Force K6, Digitising Betty Cresswell’s Imperial soldiers collection

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We are delighted to share this post by Katie Learmont. Katie, our Graduate Business Partner Technical Assistant, has been working at the Digital Humanities Lab for four months as a Technical Assistant. Prior to joining the team, she undertook a masters in Library and Information Studies at UCL and has worked and volunteered in a variety of settings, including Eton College, the Royal Academy of Arts, V&A and the European Parliament. Katie’s experience sparked an interest in how 2D and 3D digitisation can benefit academic teaching and research, and led her to join the Exeter Digital Humanities team.

One of my key responsibilities as Graduate Business Partner was to support our Intern team to undertake a small digitisation project relating to Muslim Indian soldiers in Europe during the Second World War. On 3rd December 1939, 1723 men, mainly “Punjabi Mussulmans” and 2000 animals left Punjab for France to assist the British army with transporting supplies and equipment over rough ground. After they were evacuated from Dunkirk in May 1940, many RIASC (Royal Indian Army Service Corps) soldiers settled in military camps across the UK before returning to India in February 1944. Four RIASC men were billeted with Herbert Foster, who ran a tree nursery and chicken farm at the Plateau, Shirley Hollow. In 2016 Foster’s daughter, Betty Cresswell, met with Ghee Bowman (who is currently undertaking an AHRC funded PhD research project) at her farmhouse in rural Derbyshire. Betty showed him a small photography collection, featuring her parents with Captain Gian Kapur (Gian Kapur corresponded with the family regularly until his death in 1985), and the others, as well as press cuttings, letters, slippers and brass objects. Betty had met the Force K6 soldiers in 1940 when she was just three years old, and although she couldn’t remember them clearly she could remember the smell of chappaties cooking!

Betty Cresswell, Herbert Foster and Force K6 soldiers

Betty Cresswell, Herbert Foster and Force K6 soldiers

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We welcome our new Digital Humanities Intern team for 2018/19!

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In June, the Digital Humanities team recruited six new College of Humanities undergraduates to advisory intern positions, based in the Digital Humanities Lab. The interns commenced work with us at the beginning of the new academic year, and we are pleased that our new cohort are joining us for a much longer internship. We received an impressively large number of applications and, following a competitive interview process, we were pleased to appoint candidates with a keen interest in the field, enthusiasm, strong problem-solving skills, and an interest in careers within the Digital Humanities.

The team have put together an introduction to their roles below, and some background on their own interests. The team bring with them positive energy and new perspectives on our projects and we welcome them and their ideas to the Digital Humanities Lab research community:

Hello! We are Hannah, Eleanor, Ciprian, Connor, Corey and Dan, and we make up the Digital Humanities Advisory Intern Team 2018/19. Over the next academic year we will be assisting our colleagues in their research endeavours and helping with the day-to-day running of the lab.

After our initial training, we are already enjoying experimenting with using the 3D printers and other equipment, and we are settling into our advisory desk work and lab duties. We looking forward to expanding our skills and applying them to external and personal projects over the coming year. Continue reading →

Poetry of the Lancashire Cotton Famine (1861-5)

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Cotton Operative’s dwelling – ‘Illustrated London News’.
Courtesy of the ‘Cotton Town digitsation project’, and accessed via GeraldMassey.org.uk

During the American Civil War, the supply of cotton to the UK stopped, and the Lancashire mills and factories that relied on it shut down, causing sudden mass unemployment on a scale previously unknown. The cotton industry was the hub of the industrial revolution, and whole families would work in the cotton mills, meaning that the loss of income hit even harder.

In response to the crisis, many former cotton workers wrote poems about their situation, and these were published in regional newspapers. In the 1860s, there were 200 local newspapers in Lancashire reporting on local and national news, and many of these papers also published a daily or weekly poetry column. This ‘Cotton Famine poetry’ has not previously been collected together and interpreted, so the Poetry of the Lancashire Cotton Famine (1861-5) project, funded by the AHRC and led by Dr Simon Rennie, aims to identify these poems, collect them together from their disparate locations in regional archives, and interpret them, making them freely available in a searchable text database developed by Exeter’s Digital Humanities Lab. We are also including audio recordings of the poems, including those in dialect.

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What difference does digital make? The present (and future) of Digital Humanities in the UK

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Recently we welcomed a distinguished guest speaker to the DH Lab, Professor Jane Winters of the School of Advanced Study, University of London, to give a seminar on the current landscape of Digital Humanities (DH) in the UK.  Prof. Winters discussed the results of a major new survey, commissioned by the School of Advanced Study, the British Academy, the British Library and the Arts and Humanities Research Council, into DH research, teaching and practice in universities, GLAM institutions (Galleries, Libraries, Archives and Museums) and the creative industries. The aims of the report were to document the current landscape of DH research, teaching and practice; identify what kind of support this needs; and explore possible demand for a UK-based DH network or association and the nature of the role that such an organisation could play.

Interpreting the statistics of the report for a highly engaged audience, Winters drew out from the facts and figures a picture of a diverse DH landscape, in which respondents identified themselves as belonging to almost forty different research areas.  More than three quarters also had extensive involvement in teaching, either in their subject area or in DH.  Winters noted that not all digital research and digital scholarship is described by its practitioners as ‘Digital Humanities’, even when it is firmly rooted in the study of Humanities sources and their related areas of specialisation.  As researchers within universities, we therefore need to ensure that when we collaborate with creative partners or GLAM institutions, we try to use a common language to describe what we do: this will help not only in the project itself, but also in how we communicate what we do to those outside our particular areas of expertise.

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Our Digital Humanities Interns bid us farewell – Alumni of 2018

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What we’ve been up to…

Over the past six months, we have settled into life as interns for the DH Team. Throughout the internship, we’ve become accustomed to supporting and facilitating the research of staff in the College of Humanities, and acting as the first point of contact for all the types of people coming in to use the lab spaces. We’ve undergone training in photogrammetry, Reflectance Transformation Imaging (RTI), and 3D printing… all whilst attempting to formulate an answer to the question “what exactly is digital humanities?”

We’ve been supporting numerous research projects such as Sarah-Jayne Ainsworth’s digitisation of Early Modern Bristol women’s wills, digitising Ronald Duncan micro-cassette tapes and the 2D digitisation of a collection of historic posters from the Northcott Theatre.

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Meet our Digital Humanities interns!

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In December, the Digital Humanities team recruited six new College of Humanities undergraduates to advisory intern positions, based in the Digital Humanities Lab. The interns commenced work with us at the beginning of the new term. We received an impressively large number of applications and, following a competitive interview process, we were pleased to appoint candidates with a keen interest in the field, enthusiasm, strong problem-solving skills, and an interest in careers within the Digital Humanities.

The team have put together an introduction to their roles below, and some background on their own interests. The team bring with them positive energy and new perspectives on our projects and we welcome them and their ideas to the Digital Humanities Lab research community:

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Famine and Dearth in India and Britain – text archive seminar

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Last term, we were lucky enough to be able to attend a seminar on a database resource that our team created.

Famine and Dearth text archive

Death: Detail from Four Horsemen of the Apocalypse, Albrecht Durer (1471-1528). Woodcut print, 392×282 mm 1498.
Credit: Shutterstock

As part of the Famine and Dearth project, we produced a text archive of over 750 texts from India and Britain, in languages such as English, Bengali, and Persian, and with English translations for key texts. In addition, we produced an interactive map of a merchant’s journey through India during a time of famine, chronicling his emotional reactions to the conditions of dearth or plenty he encountered.

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#DCDC17: The cultural value of collections & the creative economy

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Last year’s #DCDC17 conference, hosted by The National Archives and Research Libraries UK (RLUK), was an opportunity to analyse how we assess the value of our collections and partnerships, whilst advancing our digital technologies to enable engagement by communities, researchers and academics.

Professor Geoffrey Crossick (RLUK) gave the opening keynote, suggesting that the cultural value of collections lies in engagement, and that our cultural institutions play an important role in enabling individuals to become reflective and engaged citizens.

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