In contrast to the huge scale of the previous conference in Kraków, Autumn has offered an opportunity to attend something a little more manageable. The Digitial Humanities Congress is hosted biennially by the Humanities Research Institute in Sheffield, and is a national conference that attracts international audiences.
In a very varied programme, the speakers covered topics such as musicology, text mining and analysis, semantic encoding and infrastructural issues. An early highlight was a series of papers, introduced by Marilyn Deegan, on the ‘Academic Book of the Future’, which discussed the potential shape of academic outputs, and specifically monographs, as the move to digital and open access opens up new possibilities. Creating works with greater interactivity and engagement, that can link directly to open access source material, and provide insight through well-designed interactive visualisations and access to raw data were all high on the wish-list, with some intriguing experiments.