Tag Archives: digital humanities

Digital Humanities Interns 2023/24 part 4

Each year we ask our interns to write a blog post at the end of their time working with us looking back on their time in the DH Lab. Here is the fourth of this year’s blogs from Phoebe:

Hi, I’m Phoebe and I’ve just completed my internship at the Digital Humanities Lab here in Exeter alongside my course as a second-year History and Archaeology student. It seems to have flown past but looking back I’ve had such an amazing experience as an intern at the DH Labs and have worked on a huge number of projects- I’m not sure how we fit it all in! 

During my time at the Labs, I’ve worked on digitising the Theatre Royal, Exeter Playbill Collection, Institute of Cornish Studies Elections Project and the Family Farming in West Penwith Tapes for Penryn Archive as well as recently working on creating photogrammetry models for the Archaeology teaching packs. I’ve also has great fun playing with the 3D printers at the labs, making cute Christmas decorations and experimenting with different designs.  

 My first successful 3D print! 

In-between all that, I’ve worked closely with Adrián Oyaneder, creating 3D models using photogrammetry from photos he took of petroglyphs in the Atacama Desert. It was this project which inspired me to pursue my dissertation topic where I’ll be using the skills and techniques I’ve learned from working at the Labs. My colleagues at the DH Labs have been incredibly supportive and encouraging of my dissertation project so I’ve really benefitted from all their innovative help and enthusiasm to experiment.  

 Photogrammetry model of rocks near Reed Hall as practice for my dissertation work 

Experimenting with RTI in the field 

It’s amazing to think of how much has been done in only a year, especially when I came to this opportunity with no prior skills or experience in this field. My colleagues here have been brilliant in their support and patience as they taught me all they know and helped develop my confidence when working with technology while overcoming its challenges. I’ve learned so much, from 3D capture techniques like photogrammetry and RTI, to how research is effectively conducted and what is involved when storing and caring for delicate archived materials. I’ve also gained a new appreciation for just how valuable digital heritage is in today’s world. Working with digital heritage in such a direct and active way has given me a taste of what this environment is like and encouraged me to pursue it after I graduate.  

I’ll be sad to leave this internship, but I’ve loved working with my fellow interns and the DH team! 

Digital Humanities Interns 2023/24 part 3

Each year we ask our interns to write a blog post at the end of their time working with us looking back on their time in the DH Lab. Here is the third of this year’s blogs from Sophie:

I have found my time working in the Digital Humanities Lab to be an incredible learning opportunity and it has taught me invaluable skills using technologies I had not had the opportunity to work with before. The DH team provided a variety of weekly training sessions such as in using RTI (Reflectance Transformation Imaging), 3D printing, photogrammetry and coding, amongst other things, allowing me to complete projects in fields which I had never encountered before!
The first project I took on was digitising reel to reel tapes for Penryn campus, the tapes contained interviews with Cornish farmers and so were a really interesting piece of oral history, especially as they referenced the surrounding areas in Devon and Cornwall! The project allowed me to learn how to use the tape-recording equipment as well as how to edit and enhance audio on Audacity, this helped me with my Art History assignments as we were tasked with creating an app trail for our field trip to Florence; the skills I learnt at my internship were really helpful in the recording and editing of this material. We also, as an intern team, transcribed these recordings of the Cornish farmers using AI software, which made the recordings more accessible as the AI was able to pick out sections of audio which were hard to hear normally which really brought the interviews to life!

Another fun project I was apart of was helping one of the researchers in the lab with remote archaeological sensing in Chile, this involved using Google Earth Pro to spot new archaeological sites in the Chilean mountains. Another intern and I, with guidance from researcher Adrián, were able to spot historic farming sites, small settlements and animal traps. This was an immensely rewarding project which I never would have had access to without the Lab!
As well as these I also took on smaller personal projects, after the 3D print training I used Sketchfab to create my own chess piece which I then went on to 3D print using the Ultimaker. It was amazing to be able to hold the final product knowing I had designed and printed it myself!

The highlight of the internship for me was the trip to Special Collections in the Old Library as it introduced me to resources on campus I had previously been unaware of. Their collection of South West authors was fascinating and it was a special moment to see the original manuscripts of two of my favourite books (Rebecca by Daphne du Maurier and Lord of the Flies by William Golding) in person as well as a first edition of Dracula!

My internship at the Lab has taught me so much and has given me skills I have been able to develop not only through my projects in DH but also in my degree. Thank you to the entire DH team for an amazing year and I hope the new interns have as much fun as I have!

Digital Humanities Interns 2023/24 part 2

Each year we ask our interns to write a blog post at the end of their time working with us looking back on their time in the DH Lab. Here is the second of this year’s blogs from Daisy:

Working as part of the Digital Humanities Team alongside my third-year studies has been an incredible opportunity. From processing reel-to-reel tapes of Cornish farmers to building 3D prints in the Makerspace, this placement has taught me an astounding range of technical skills that I look forward to applying in my further study and future career. A particular highlight was getting to explore the audio-visual suite, namely, practise recording and editing my own pseudo-scripts. As an aspiring journalist, this was invaluable and immediately applicable to my goals beyond university study as well as proving to be the perfect titbit to bring up in my master’s interview!

Beyond media experience, the DH Lab provided the support to pursue my interest in textile history. I was able to look through a large collection of scraps collected by a 19th century socialite which detailed her dresses and their adornments. From this, coupled with my use of the lab’s access to Adobe Photoshop while working on the front desk, I was able to reconstruct an approximation of what a whole piece of fabric may have looked like from a two-by-six-inch scrap of embossed satin. ‘The Art of Fiction’ project (@artfictionproject) who had previously posted the page of the book containing these small snippets of fabric then uploaded this image onto their Instagram page. It was wonderful to get the chance to breathe new life into a beautiful piece of textile history and to then have this shared where it would most be of interest. Working as part of the DH Lab often means working with the wider University team, across both the Streatham site and Penryn archives, and this small project provided a micro-scale model of the creative community Digital Humanities forms a key part of.

As well as the chance to work on my own projects, shifts spent in the lab offered a variety of ways to process and digitise media. This involved spending time taking high quality 150mp photographs of 19th century playbills, school photographs from the 1970s and small letters that sometimes included absent minded sketches made by the author. As well as professional archival photography and audio-visual editing, the intern team were regularly trained on new equipment. These techniques included photogrammetry, namely constructing 3D models from repeated and slightly differing photographs, and RTI, photographs taken at different heights and angles of light in a specially constructed dome. These training sessions fed into our individual lab sessions in which I began my RTI work by processing handmade lace from a team member’s collection. From further discussions with Gary Stringer on his collection of textiles, he brought in a set of lace bobbins and explained the history of lacemaking itself, specifically regarding Bedfordshire lace. I was then lucky enough to try out a few basic stitches and am now searching for a set of bobbins for myself!

Although my degree and much of my work has focused on the humanities, I’ve enjoyed the more mathematical, technical side of work at the lab just as much. Taking on this placement with the lab has shown me how my degree significantly overlaps in the real world, using skills from both Art History and Mathematics together to produce digital resources. Both Julia Hopkin and Gary Stringer have provided invaluable teaching on the applications of coding, guiding the internship team through the basics of coding and Badger 2040 badges.

One of my last commitments as an intern was helping at the Open Day for the university, answering visitors’ questions and providing tours around the lab. It was the perfect day to bookend both my student experience and my time at the lab, showing potential Exeter University students around the facilities and speaking about how much the DH Lab has to offer.

Reflecting on my time with Digital Humanities, I would highly recommend anyone interested to apply to the internship placements. As a truly entry-level job, you work as part of a supportive and welcoming team to learn countless professional skills that are useful in any industry and provide you with a foundational knowledge of the work environment while you study. It has made what would already have been a memorable year even more so and I can’t thank the team enough for their enthusiasm and generosity!

Digital Humanities Interns 2023/24 part 1

Each year we ask our interns to write a blog post at the end of their time working with us looking back on their time in the DH Lab. Here is the first of this year’s blogs from Emily:

Hi – I’m Emily, a second year English and Communications student and 2023/24 intern here in the DH Lab. Working in the Digital Humanities Lab this year has been an amazing experience and one which has provided new ways to engage with my own academic and creative endeavors – my favourite aspects of the job have been developing new technical skills and getting the opportunity to support current research. 

At the start of the year, we received training in photography, photogrammetry, RTI, and eventually 3D printing. I really enjoyed seeing these skills build on each other with the progression from taking high quality images, to how 3D models can be made from those photos using Agisoft Metashape, and then learning how to use the 3D printer in the Makerspace to make physical objects from the models. Here are some of the models I made during training in the autumn term: 3D models by echircop – Sketchfab 

My favourite things I 3D printed were these articulated lizards, using multicoloured filament – these were always popular on open day tours too! 

Besides taking photos in Lab 1 and 2 to digitise a variety of paper archival collections, the projects I spent the most time on were audio and video editing. Firstly, I worked on the Cast in Stone project, editing interviews about the legacies and impacts of colonial statues on their local areas. I mainly cut out erroneous or irrelevant material from the interview audio and added title cards. This was a great opportunity to learn new software, as I had not previously used Adobe Premiere Pro, and I enjoyed getting to use my technical skills to make these interviews publicly accessible. They are available here: Cast in Stone Interviews 

A screenshot of the editing process in Adobe Premiere Pro

Alongside the other interns, I also worked on a set of interviews with Cornish farmers from the Penryn Campus archive. These were recorded on reel-to-reel tapes, which were digitised in Lab 3, and many had poor audio quality. I used Audacity to amplify the volume of the recordings and remove as much background noise as possible, which was a fun and experimental process of figuring out what worked best on each individual recording. Following this, I used software called TurboScribe to create transcripts of each recording. This came with some challenges, as the software couldn’t always accurately transcribe due to accents and remaining issues with audio quality, so a lot of manual edits were necessary. This project was a valuable experience of the many moving parts and various stages that go into audio digitisation, and how to stay organised during this process. We kept a detailed spreadsheet and notes so that the whole team working on it was continually updated. I particularly enjoyed the experimental nature of many parts of this project, as it allowed me to deepen my knowledge of audio editing and try out new things like transcription.

I have loved working in the DH Lab this year! It has been exciting to explore the wide range of activities that fall under digital humanities (alongside what I’ve already mentioned, I was able to learn about coding, handling different kinds of archival objects, and making digital editions of texts) and working with such a supportive and enthusiastic team has been wonderful. I would highly recommend any students reading to consider getting involved with the DH Lab by applying to next year’s internship or looking into HASS modules that engage with digital humanities – you might be surprised by what you can learn!

Digital Humanities Interns 2022/23 part 3

Each year we ask our interns to write a blog post at the end of their time working with us looking back on their time in the DH Lab. Here is the third of this year’s blogs from Isabel:

Hi, my name’s Isabel and I’m a third year History student and intern at the Digital Humanities Lab and this year I’ve been lucky enough to enjoy my second year at the lab.

Recently, I’ve been spending my time getting to grips with photogrammetry and 3D modelling. On top of photographing and processing lot of palaeolithic flints and ancient pottery from the archaeology department’s teaching packs, one of my main projects I worked on was fully processing a small ornament from a physical object, to a digital model, to a physical object again in the form of two differently printed 3D prints. I started with the original Egyptian pyramid ornament, photographing it in the photogrammetry set up in the lab space. Then, these photos had to be processed in computer software which aligned the images into one digital 3d model.

Once this was completed, I printed the first 3D model in our Ultimaker 3D printer in white and finally I printed a green resin model in the form lab printer and had a look to see how different the results were.

This year I also got to spend a lot of time with the RTI dome. On the one hand this meant creating RTI images of the archeology from the teaching packs so that people could better see the markings and lines on the side where the pottery had been cut and which showed more information about how the pottery was made. On the other hand, this also meant experiemtnsing with some of my own objects to see how they would look under RTI. I experimented with a necklace of mine with bronze age chain on it to see what the different RTI photos would show me.

And finally, I got to have a bit of fun at Halloween this year when I printed a glow in the dark pumpkin pot!

Digital Humanities Interns 2022/23 part 1

Each year we ask our interns to write a blog post at the end of their time working with us looking back on their time in the DH Lab. Here is the first of this year’s blogs from Jane-Marie:

I am Jane Marie a final year Art History, Visual Culture and Classical studies student. I remember visiting the digital humanities lab on my open day at the university. I was immediately impressed at their wide range of technologies and the opportunity to become an intern at the lab.

Before starting the university, I had completed and art foundation course in graphic communication this meant I had some computer skills before I started the internship. At the end of my first year, I completed a short internship with the University of Exeter’s special collections team cataloguing the university’s Leonard Baskin Prints. Both experiences provided me with the necessary skills and interest to start my internship at the Digital Humanities lab.

Some of the modules I have taken during my time at university have been directly related to Digital Humanities. In my second year I took the AHVC Field study module as part of which we created a walking tour of Florence. From this module I learned digital mapping and audio editing skills. In my final year I took the ‘Hacking the Humanities: how to run successful digital projects’ module which paired very nicely with my work at the Digital Humanities lab.

Over the year as Digital Humanities Intern, I have assisted on a range of projects from digitisation to podcast editing. The most interesting and different project I have worked on is filming the CRAB Lab bees on the top of the Washington Singer Building.

I had no idea that there were any beehives on the Exeter university campus so to get to see them up close and personal was an amazing opportunity. I assisted in the filming of the video and had to wear a bee suit in the process. I was the responsible for the editing of the video.  

The challenge when editing this video was knowing what of all the information Zoe, the beekeeper, had told us was the most important to include. We also had a lot of “Bee-role” footage to intersperse with the talking. Another challenge I found was controlling the audio levels across the different bits of footage. As we where filming in a working lab space there was some background noise that needed to be removed from the footage. While editing I learned how to edit the audio to remove the sound without distorting the audio. This example shows the problem-solving skills you develop when working with the digital humanities.

Along side the projects we have also completed training in all aspects of the lab from the 3D printers to Photogrammetry. This has helped me build confidence in using the technologies of the lab as well as introduce me to unfamiliar skills which I found challenging such as coding. Completing these challenges as a group made them less daunting.

Overall, my experience at the digital humanities lab has been an incredible opportunity to learn a range of different skills some of which I found quite challenging and others I immediately clicked with. It has been wonderful working with the other amazing interns, the DHL team and aiding academics in their research and outreach.

Hot Source! Digital Skills Training

As part of the AHRC’s iDAH program, the University of Exeter Digital Humanities Lab is organizing a Summer School during June 2023 in Digital Skills that comprises two free training courses for Arts & Humanities Researchers: 

  • The first course (intermediate to advanced level; 12-16 June) will focus on Text Analysis using the Python programming language 
  • The second course (foundation level; 19-23 June) will focus on 2D, 2.5D, and 3D recording and visualisation

We have a limited amount of financial support for PGR and ECR with no access to travel funds. If this will help you, please check the relevant section of the form when you apply.

Course 1: AHRC iDAH/Exeter Digital Summer School: Introduction to Text Analysis Using Python

As part of the AHRC iDAH network for Digital Skills Training, the University of Exeter Digital Humanities Lab is offering a free introductory Summer School in Text Analysis with Python. Over a 5-day period, participants will have the opportunity to develop their digital skills through hands-on experience with Python, a popular programming language widely used for data analysis and text processing. The schedule for the course is available here: Hot Source! Course 1 information

During the course, you will cover topics such as regular expressions, text preprocessing, Named Entity Recognition, feature extraction, sentiment analysis, visualization, and language models. The objective is to provide practical experience with popular Python libraries like Natural Language Toolkit (NLTK), spaCy, and Matplotlib which are widely used for text analysis and natural language processing tasks, leaving you well-equipped with the necessary skills to succeed in these fields.

The intended audience for this course is academic professionals and researchers in Higher Education Institutions and Research Organizations who conduct research related to language, literature, history, social sciences, or any other field that involves text data analysis. It may particularly appeal to those working in linguistics, digital humanities, computational social sciences, and data journalism, but all are welcome.

This is an intermediate-to-advanced digital skills course and participants will need to be familiar with the fundamentals of Python and Google Colab before the course. For those without prior experience, we are happy to recommend a variety of tutorials to help prepare in advance. During the course, we will cover the essential libraries for text analysis in Python, such as SpaCy and NLTK. More experienced participants will have additional opportunities to explore other libraries such as Matplotlib, Genism, and Plotly.

The course will be in person, with a maximum of 10 participants. It is initially offered to researchers in the South-West. The remaining places will be available countrywide from May 19th.

To apply please use this application form. Applications must be received by May 31st and you will be notified by June 2nd.

Course 2: AHRC / Exeter Summer School on 2D, 2.5D and 3D capture and visualisation of textured artefacts

As part of the AHRC iDAH network for Digital Skills Training, the University of Exeter Digital Humanities Lab is offering a free introductory Summer School in 2D, 2.5D and 3D capture and visualisation of textured artefacts. Over a five-day period, participants will have the opportunity to develop their digital skills through hands on experience with accessible and low-cost equipment. You will learn the basics of Archival Photography, RTI and Photogrammetry and have a chance to apply these to your own materials if desired. The schedule for the course is available here: Hot Source! Course 2 information

This course is intended for academic professionals and researchers in Higher Education Institutions and Research Organisations who conduct research related to Arts and Humanities topics. It may particularly appeal to those working in Archaeology, Heritage and the Visual or Plastic Arts but all are welcome.

This is a foundation level course and no prior experience or skills in 2D, 2.5D and 3D visualisation is required, or expected but a basic knowledge of digital photography will be beneficial. The course will be in person, with a maximum of 10 participants. It is initially being offered to researchers in the South West area of the UK, but any remaining places will be made available to researchers countrywide from May 19th.

To apply please use this application form. Applications must be received by May 31st and you will be notified by June 2nd.

If you would like any additional information or have any further questions, please email us and we’ll get back to you shortly.

The DH Lab is 5!

5 years ago, on the 23rd October 2017, after many months of planning and construction work, the Digital Humanities Lab officially opened. Since then we’ve supported teaching and research through a pandemic, collaborated with academics and cultural heritage institutions on research projects, created many exciting digital resources and websites, worked with 28 undergraduate interns, digitised 100s of cassettes to preserve recordings for future use, worked with Exeter City FC, developed websites and databases for research projects, taken 1000s of high quality photographs of rare books and manuscripts including the Exeter Book and the University of Exeter archive, supported podcast and film recordings, created RTI and 3D printed models for archaeology and a whole lot more.

To celebrate our 5th birthday we will be running open day events throughout the term – keep an eye on our upcoming events or twitter to join us!

In the meantime, lets look back to where the lab began!

In the summer of 2016, this corner of the Queens building featured an archaeology equipment store, a bike rack and some very exciting recycling bins. And then the diggers showed up…

Continue reading

Digital Humanities Intern – Heide

Hi, I’m Heide, a second year English Undergraduate. I first encountered the Exeter Digital Humanities Lab during the Festival of Discovery after my first year, but I had already unconsciously experienced Digital Humanities throughout my degree, through online resources such as EEBO (Early English Books Online), The Hardy Correspondents and many other archive websites that I used to research primary sources.  

My first hands on experience with digital humanities was during my year one Rethinking Shakespeare module (EAS1041), where we used TEI text encoding to combine differences in Folio and Quarto texts for scholarly consideration. The digitally encoded text provides a more interactive text for study, as different textual variants can be easily seen and more equally considered. The accessibility of the digital texts and the significant scholarly applications inspired me to look further into the previously unknown field of digital humanities by applying to be an intern.  

Crochet rabbit photographed on a turntable in Digital Humanities Lab 2

At the start of my internship, I had little technical knowledge about digital photography and technology, however, the DH Lab provided all the training basics. Every week I enjoyed learning new things: Basic Camera skills, Photogrammetry, RTI (Reflectance Transformation Imagery), 3D Modelling and Printing, Photoshop, Audio and Visual recording and editing… The list really does go on! I loved all of the training across the lab and attempted to partake in as many varied projects as I could throughout my internship. One of our training sessions was on photogrammetry, where we brought in our own objects to produce a model. I brought in one of my crochet projects – a kind of awkward looking rabbit (who can be found on one of the Digital Humanities information slides in the Breakout space!). The software wasn’t a great fan of the object, and fabric itself is not the best suited to photogrammetry, so it turned out a little bit wonky (as seen below).  

Crochet rabbit photogrammetry model produced using Metashape

My first projects consisted of 2D digitization in Lab 1, using the A0 copystand. I digitized many letters , and I still enjoy discussing the adorable wax seals to this day. The experience of touching and reading documents and artefacts that would commonly be sealed away in a private collection or museum is such an amazing and interesting experience. I also helped to digitise a collection of Arabic postcards and documents and the Exeter University Fine Art Committee documents. I also used Lab 1 to photograph and reverse negatives of Arabic documents for study in the Lawforms project. Alongside the other interns I helped with inbox and reception management, as well as social media contributions for the Lab and university projects, such as promotional material for the Famine Tales Project.

I also worked on digitising cassette tapes of interviews with Devonshire farmers to convert them into a digital format using the Audio-Visual Lab (AV Lab, Lab 3). As someone who grew up in Devon it was very interesting to hear personal interviews of the locals, and often quite entertaining.

I worked on a larger RTI project to digitize archaeological arrowheads for a university colleague at Exeter. RTI (Reflectance transformation imagery) is performed by capturing images of a static object with a static camera but with changing light angles (check out the DH Lab RTI demonstration page here: https://humanities-research.exeter.ac.uk/rti/). These images are then put into a software called RTI_builder and the process is followed to create an interactive RTI model. Here is a “normals” (the colours correspond to the direction of the surface) of one of the arrowheads:

RTI model created by the Digital Humanities Lab on 09/06/2022, object LAZ540 provided by the Archaeology department

And a regular screen capture of the object’s other side here:

I also worked on several of my own digitisation projects, including handwritten letters from my Grandma as well as wedding photos from my Aunt. I worked on this alongside all of the projects at the Lab, and it was nice to digitise some of my own family history.

Drawing from one of my Grandma’s letters about our new cat

I found working as an intern at Digital Humanities an invaluable experience and recommend it to anybody looking for any experience in the field for job opportunities and personal experience. Don’t let lack of digital experience daunt you – the lab is very welcoming and provides all necessary training help to all interns!

Referenced Links

Early English Books Online (EEBO): https://www.proquest.com/eebo/index?parentSessionId=unTEUaEuRaIEPNHaUj3kn0BwSoOuc4xoiUyxeD1EVZ0%3D

Exeter Digital Humanities RTI demonstration Page: https://humanities-research.exeter.ac.uk/rti/

Famine Tales Twitter: https://twitter.com/faminetales/with_replies

The Hardy Correspondences: https://hardycorrespondents.exeter.ac.uk/about.html

Lawforms: https://humanities-research.exeter.ac.uk/lawforms/place.html?place=pgDhar

Digital Humanities Intern – Maya

What a year! I have loved working at the Digital Humanities Lab over my third year at Exeter – I have had the opportunity to try so many different activities and have seen a side of the History Faculty and Department I would not normally get to experience as a student. Most enlightening has been the gradual process of understand just how much work goes into conserving and storing the documents we use in our daily studies, and it has given me a new appreciation for the feat of achievement of many of our digital archives. I have particularly enjoyed working with the Drama department’s new Podcasting studio; its accessible format and set-up making it really easy to create podcasts with other students and friends, and I hope to continue this project in my career as a way of enjoying more public debates on history. The most useful advice I could give to someone applying to the Lab or who has already got a place on the internship team is to try everything – and to not be afraid to ask questions. All the staff are super friendly and helpful, and it’s always a great idea to start off slow, learn the techniques properly and learn how to best use and approach each type of archival material, giving you the skills to work more efficiently as the year progresses.    

Digitising a book in Lab 1

A typical day in the Lab starts with me digitising the most recent documents, photographs or journals that have been brought in – I have partially loved digitising a collection of journals written in the late 1800s by local Devon women, to showcase their artistic, literary and poetic skill. Working with this was challenging, especially as the books were often badly bound or produced on thin, cheap paper, and so they had to be handled slowly and carefully. I used my training from the Special Collections team to plan how to approach each challenge in digitising such a varied type of document. I have also enjoyed seeing the various people and departments who use the Labs photography and recording equipment on a weekly basis to improve course delivery and structure. Learning how to integrate these technologies into future education approaches and lesson planning is the future of education, and will open up the Humanities to a much greater variety of abilities, learning approaches and stages-  and as a protective future teacher this has been truly exciting to experience first-hand and have a ‘hands on’ impact on digitisation delivery at the University.   

I have really enjoyed my time at the Lab, and can’t recommend enough applying for an internship – you’ll lean so much about the complex and intriguing world of document preservation, and get a new-found appreciation for our brilliant archives and libraries.